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DTSTART;TZID=UTC:20250404T193000
DTEND;TZID=UTC:20250404T213000
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SUMMARY:Dvořák’s New World Symphony
DESCRIPTION:Heroic. Gripping. Music with the ‘wow’ factor.\nWho’s on stage\nConductor Stephanie Childress and pianist Piotr Anderszewski (whose performance The Guardian recently described as ‘raw and astonishing’) are the guest stars for this evening’s concert with Royal Northern Sinfonia. \nWhat they’re playing\nOnly one of the greatest symphonies ever written – Anton Dvořák’s Symphony No. 9\, better known as the New World Symphony. Plus North East composer Benn Lunn’s Sonnet and Beethoven’s bold and exuberant Piano Concerto No.1. \nWhat’s happening in the music?\nIf you had to put together a list of the top 10 symphonies ever composed\, Anton Dvořák’s (pronounced vor-jacques in case you wondered) New World Symphony would almost certainly be it. Yes\, it’s grand and powerful and all the usual adjectives you’d use for big symphonic music\, but more than anything it’s just absolutely packed with great tunes. Even if it’s not yet on your playlists\, you’re more than likely to recognise it through films\, TV and adverts. Of course\, it’s also got a very particular slant\, with his symphony being influenced and inspired by indigenous music of North America\, inspiring him to write music that remains a favourite right to this day. \nEven Sir Ridley Scott is a fan!\nOne of the UK’s most beloved adverts of all time\, the Hovis advert\, featured Dvořák’s New World Symphony. The original advert was directed by Sir Ridley Scott (luxury directing or what?!) and featured the Ashington Colliery Brass Band. \n \nDvořák: The Symphony No. 9 “From the New World” \n \nBeethoven: Piano Concerto No. 1 | Margarita Höhenrieder\, Staatskapelle Dresden & Fabio Luisi
URL:https://blog.alandotchin.com/event/dvoraks-new-world-symphony/
CATEGORIES:Classical,Concerts
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DTSTART;TZID=UTC:20250419T190000
DTEND;TZID=UTC:20250419T210000
DTSTAMP:20260403T144626
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SUMMARY:Ravel’s Tzigane
DESCRIPTION:Passionate. Sensual. An evening of intimate rarities.\nWho’s on stage\nMaria Włoszczowska directs harpist Oliver Wass and musicians from Royal Northern Sinfonia. \nWhat they’re playing\nBe transported to Paris in the 1920s with music by the leading composers of the day\, Maurice Ravel and Claude Debussy. \nWhat you’ll hear\nMaurice Ravel Introduction and Allegro (11’)\nClaude Debussy Syrinx (3.5’)\nMaurice Ravel Sonata for Violin and Cello (20’)\nClaude Debussy Danse sacrée et profane (9’)\nClaude Debussy Sonata for Flute\, Viola and Harp (17’)\nMaurice Ravel Tzigane (10’)\nMaurice Ravel arr Tim Mulleman La valse (13’) \nWho’s playing it\nMaria Włoszczowska director\nOliver Wass harp\nRoyal Northern Sinfonia \nWhat’s happening in the music?\nRavel’s fiery Tzigane for violin and piano is at the heart of this concert. Passionate\, fierce and full of breathless virtuosity\, it’s a show-stopper from start to finish. His Sonata for violin and cello has a similarly Hungarian flavour to it\, and was written as a tribute to Debussy\, whose sensual work for harp closes the evening. \nRavel vs Debussy\nThe two composers often get lumped together because they lived at the same time in the same city and admired each others music\, plus its true that there are similarities between their musical styles\, with it being what might be called ‘musical impressionism’. Their differences are pretty stark though. Debussy was much more of an innovator\, whereas Ravel worked within more traditional forms. Ravel was brilliant at taking melodies (sometimes other peoples) and transforming them into something magical for the full orchestra (for example Mussorgsky’s Pictures at an Exhibition\, which you can hear on 21 February)\, whereas Debussy always originated his own melodies. They were both top-rank composers in their own right\, and a programme of their music is a total treat.
URL:https://blog.alandotchin.com/event/ravels-tzigane/
CATEGORIES:Classical,Concerts
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